Life (the series)

It’s not every day I find myself wanting to tell people about a TV show. Yes, I have my guilty pleasures -- Lost, 24, The Daily Show -- but unless the Giants are playing, my “must-see TV” list is a very short one.

It’s not every day, but it is today, and the show is NBC’s brilliant Life. British actor Damian Lewis plays LA homicide detective Charlie Crews who, after uncovering corruption within the department, was framed, convicted of murder and sentenced to life (thus the title). After 12 years in a maximum security prison -- thrown inside with the people he’d been putting away as a cop -- what does he do when a defense attorney finally gets his conviction overturned and gets him out? First, he files and wins a $50 million lawsuit against the city. Then, as part of the settlement, he gets his old job back and proceeds to use his position inside the department to try to unravel the conspiracy that led to his being framed.

That might sound a little contrived, a little bit too “Count of Monte Cristo inside the LAPD” Hollywood pat. And it could have been, if not for the writing – which snaps, crackles and pops its way through every cleverly constructed episode – and the superb Lewis, who invests every moment with meaning and, with the writers, brings his damaged character to life in perpetually interesting ways. Charlie learned to survive the brutality of prison life by studying Zen, which philosophy seeps into everything he says and does as he works homicide cases full of equally damaged victims and suspects. What did he miss most on the inside? Fresh fruit -- every episode he’s eating some different variety of it; on this fall’s premiere episode it was miniature kumquats. What does he do for fun? Pull over his now ex-wife’s hotshot second husband whenever he sees him. Oh, and his tightly-wound, by-the-book partner -- the superb and stunning Sarah Shahi -- just happens to be the daughter of the ex-cop who’s apparently at the center of the conspiracy that got Crews wrongly convicted.

Life’s first season was cut short by the writer’s strike, but NBC appears to believe in the show, having re-launched it by running two episodes a week last week and this week on Mondays and Fridays at 10, before settling into its regular Friday 10:00 pm timeslot. It’s one of the smartest and most entertaining shows ever to make it onto network TV, so catch it now before they decide that what civilization really needs is more episodes of Wipeout…